Title: Foundryside
Author: Robert Jackson Bennett
Publisher: Del Rey
Publication Date: August 21, 2018
Series: The Founders Trilogy Book 1
Edition: Kindle
Rating: 3/5
My only previous experience with Robert Jackson Bennett was City of Stairs, the first book in The Divine Cities series. I never finished that series as I recall not liking the main character very much even though I did overall like the book itself. So I was a little wary going into this one, enough so that I borrowed the ebook from the library rather than buying it.
At first I feared I'd be disappointed again. Maybe it's just me but centering a story on a thief seems a bit overdone these days. The thief in question here is Sancia, a young woman struggling to survive in the lawless Commons of Tevanne, where anyone not a part of or employed by the four main merchant house families limp along from day to day as best they can. She is hired to steal an item from the safe of one of the wealthy merchant families and in doing so sets off a chain of events that have dramatic consequences not only for her but for her whole society.
Honestly it took me about halfway through the book before I decided whether or not I actually liked it. Thieves as main characters are not generally a favorite of mine as I feel they have been overdone in recent years. It took a long time for Sancia to grow on me. But other characters were interesting enough, and the overall story was interesting enough, for me to keep reading.
There are some great characters in this thing. Clef is fantastic and unexpected. He did more to draw me into the story than just about anything else. Gregor Dandolo seems a bit wooden and without much depth at first, but it doesn't take long before you begin to understand him a little more and he becomes surprisingly sympathetic.
The magic system is intriguing, though I have to say that they talk about the mechanics of it a lot. Like, a lot. It starts to feel very repetitive and gets way too into the details than really seems necessary. I have no doubt that Bennett spent a lot of time working out the mechanics of scriving and that it will really add to the story for some. I just got bored when the characters went on and on about how you can do this and this, but you can't do this, except someone figured out how you can do this if you just add this, but that's limited too because of this, and on and on. Like, using a sigil to make a wheel think it's rolling downhill so carriages can move without horses makes sense but once they got into trying to explain why devices that make people fly can or cannot work was so dense that I just sort of glazed over. Some people love detailed, intricate magic systems, but I just found it all a bit tedious.
I did like some of the scrived objects though. They all seem to have personalities of their own, usually very dramatic ones. They usually only think of their single purpose and talk non stop about it. A device meant to transcribe sounds with a needle speaks constantly of dancing with their "partner" which is the other part of the device that actually hears the sounds. When their are no sounds to hear it wistfully wonders when it will get to dance again. A pair of handcuffs talks of how desperate they are to remain holding each other (meaning, locked). A gravity device gets comically excited whenever it is given new directions.
There is an odd, almost buried element to the story that seemed a bit glossed over. Early on, it's mentioned that in recent years there had been a sudden shift in attitudes towards women working as scrivers, the people who create the magical items that the entire society depends on. There's nothing to suggest why. I feel like if a point was made that this shift happened, there should be some reason behind it but no one seems to think much of it. Maybe this is a thread that will be picked up in later books and expanded on, otherwise it seems like a strange thing to include.
The thing that really took it from 4 to 3 stars for me though, was the dialogue. It honestly drove me crazy. Everyone sounds the same. Sancia is dirt poor former slave, but she has basically the same vocabulary as Gregor Dandolo, the son of the head of one of the four merchant houses. There is almost no real indication of dialects, or that the fabulously wealthy have access to better education than the poor. That stood out to me but what stood out even more is that everyone sounds like they just walked off the street in 2022 America. One character even uses the word "like" in that very particular modern way ("that's, like, the whole point!" etc). Just about every character says "anyways," which irritates me in any context but especially in the pages of a fantasy novel. It's jarring. The voices of each character are not very distinct. Also if I never see the word "scrumming" again it will be too soon.
Generally speaking though, I really enjoyed this book far more than I expected to, enough that I'm planning on going out and actually buying the physical books. I am looking forward to reading the next volume in the trilogy.